The Multifarious Array

The reading series of the same name at Pete’s Candy Store, the Williamsburg bar, gave me the idea for this post. Actually, it was the man in sunglasses, with pockish cheeks and pale Latin features, rapping along to whatever he was listening to, very loudly mouthing various expletives, and I looked around and thought, “not this again.” Not rap, per say. Though, it isn’t usually people listening to Opera on their i-pods who start yodelling arias in show-off fashion for all to hear. I looked around for confirmation, but the only other person on the platform at Cortelyou road was on her Ipod, too.

The Multifarious Array. A space station that is varied and just too – well, multifarious, at times, full of space cadets all doing their crazy niche things, all hunkered down on their island within an island, their archipelago, because only the Bronx is on mainline US soil. New York doesn’t embody the United States, it’s an anomaly – just as London isn’t England, though it is, too. What am I talking about?

Well, I began by thinking about how the space cadets “all doin’ their own thing, man,” can make it not the easiest place to live. Exciting, yes; as a pal said to me once, “there’s many worlds in New York, and you can go from one to the other in a very short time.” The night that I heard that, I had been at a performance by Patti Smith at the Metropolitan Museum, at which, when she said she was “just a girl from South Joysea,” in that elegant auditorium of blond wood and classical acoustics, half the audience jumped to their feet, clapped and started shouting, “we love you!” It had all been about Kublai Khan and Coleridge, the world of dreams. A xylophone played dreamily behind her, and her incantatory, vulnerable voice took us away – it was enchanting, and special to finally see her perform, she who was listened to through adolescent days, and adult adolescent days… (“boy was in the hallway drinking a glass of tea. From the other end of the hallway, a rhythm was generating…”)

At the end of the evening, I left through elegant and cool, monied and not so monied crowds, through the Egyptian collection, down the steps of the museum, and walked thirty blocks south along Central Park, weather beginning to crisp a little, the park on my right all in stillness, very few people out walking at that time of night. It seemed I was in Paris, New York’s version of it, but I also knew I was at the heart of Empire, and my own privilege played its part in that, too. I took a 4, 5 or 6 south from Lexington Avenue and 53rd street to Union Square, and jumped onto an L train to Lorimer Street. The Williamsburg-bound train is always a menagerie on a weekend night, so many carefully-studied expressions and too hip white looks, among the Latino population that’s going further east where the rent’s cheaper.

Within half an hour, I was in a Williamsburg apartment beside the Brooklyn-Queens Expressway, eating a taco takeway, real soft tacos with beef, coriander and raw onion, drinking red wine with Bryan and Laura and their varied friends from Paraguay, from Japan, from the US – photographers, teachers, and teachers of photography, makers and artists, ex-drummers from indie bands from Kansas, Panel Donor, to be exact; one day I’ll write up a web of the connections that brought me to that moment, it would be interesting. There’s many mansions.

I mentioned to someone my Mr. Multi-tasker, and he said, “he was probably chasing the buck, was probably late for a meeting that’s worth millions.” Pet peeves, though, that’s what this is about. Pet peeves, or, what makes it stressful to live here.

The fact that cars, including vans, Mack trucks, taxis, taxis especially, have the green when pedestrians do, so often a car will cut in front of you, or crawl behind you, clipping at your heels while you’re crossing (once, near south central park, I deliberately crossed very slowly, and a taxi driver rolled down his window and shouted, “fuck you, asshole!” I gave him a very big juicy finger, and an Italian elbow sandwich). – People. Ah, people. They walk at you, here. I’m not just talking about when you’re faced with a mass of people coming at you like a tsunami, and none of them cedes; I’m talking strollers that bump your shin as you meet at a cross street at the same time, the white mother tight-lipped behind sunglasses, not cedeing an inch; or the man who walks right at you, and just before collision, eels his way sideways through the tiny gap between you and the person beside you like some weird cyborg out of The Matrix.

Even when you’re  “in the neighbourhood”, Big Bird and all of Sesamé Street will try and possess the pavement, walk at you on your line, until you wonder, what do I have to do to survive psychically, here? Go somewhere quiet? – Ha! There’s already someone else there! It’s as if New York, in the form of everyone else, New York, possessing its subjects, is cranking the volume, blowing its horn, pushing you on the pavement (try pushing back, and you’ll in fact find that you actually get to repossess your own space), giving you routine annoying passive-aggressive – and aggressive – service at IKEA (oh, that’s another story), at Best Buy (one time, I asked this guy in the “Geek Squad” “can you help me?” “Probably not,” he answered. If you have high blood pressure, I do not advise going to any of these places.). Trader Joe’s, the cheapest supermarket, is a place I’ve heard that’s likely to induce a little bit of stress, especially if you work 9 to 5, Monday to Friday, because, God help you, you’ll have to go there when everyone else is there…

Which is why people wear ear phones constantly, now I get it, because at least then they can choose their soundtrack – which is usually hard-hitting hip hop and annoying techno. On the L and the F trains, an automated voice tells you what’s what, and doesn’t invade your aural space too much. On the B and the G, and probably most other lines, the train driver’s crazy voice booms out announcing stops with squeaks and crackles, and if you haven’t lived here for very long, and are lost, the admonitions, “…here for the F to Jamaica 179 street…” delivered as in a garbled rap aren’t much help. Put on your head phones, close your eyes. Listen to your own intereference like everyone else running interference for you.

Subway rule number 1: stay within your own space. I.e., do not behave normally human. By this is meant, if you’re sitting beside someone, and start wiggling out of your coat, they are going to immediately start getting nervous, because while most New Yorkers do not respect your space or rights on the pavement, you’d better, god-dammit, respect theirs. Thus, the neurotics walking round as worlds and republics independent to themselves on the multifarious array (I’m only now realising why, back in my UCD days, they called a course on civil disobedience during Thoreau and Emerson’s time A Majority of One – they’re all doing it! It’s the 1st amendment gone mad! Everyone is her or his own republic, now. Then again, so are psychotics.).

Wriggle – sidelong glances. Don’t look at people either, because they get stressed, and upset. At heart, they’re very sen-sit-ive. (Yesterday, I saw a woman with an African accent trying to give her cab to an old white lady, who kept saying, after trying to steal it, “I don’t want it,” and who then started jumping up and down, crying hysterically, “I DON’T want it!” As the Spaniards say to the selfish, the self-absorbed and the arrogant, “no tienes abuela”, loosely translated as “you didn’t have a grandmother (to spoil you).”) You’d be forgiven for thinking that looking is ok, because, at the same time, a lunatic is praising Jesus, someone’s saying, “I jus’ got out of prison, spare a dime on your beautiful day,” a Mariachi band is performing in the next carriage; a guy with facial studs is sitting next to you, the most beautiful women you’ve ever seen are arrayed in your subway car as if fresh off a fashion shoot, and they’re hard as nails, too; and sprinkled among them are rapper-esque dudes from Jay Street/ Borough Hall in priceless hoodies, and designer sneakers. A gent in bow tie and black and white spats is on his way to the opera; a homeless man is asleep in the corner, someone is reading Foucault; an orthodox jew is nodding to the Torah open on his lap; a junkie is nodding off to the fake warmth of heroin. And on, and on and on.

But, don’t forget the moments that shine up through all this – the person behind you in the queue who answers the question you’ve just asked your friend; the person who doesn’t even wait for you to ask directions, the people at the Patti Smith concert who talked to her from the audience. She immediately said right back, “you talkin’ to me?” and struck a tough pose. They loved it. Cold, hostile, monolithic, funny, funky, crazy, hilarious, warm, sexy, loving, intimate, open, insane, ugly, insanely beautiful, intense, chilled – these words are all available, on sale, and free, too.

I thought I’d better write these things before I become too much a part of the organism to notice.

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David McBloglin

My name is David McLoghlin, I am the author of "Waiting for Saint Brendan and Other Poems" (Salmon Poetry, July 2012); I am an Irish poet, writer and literary translator, who currently lives in New York, and blogs about its vicissitudes, while not writing other things, like my 2nd collection. I moved to NYC in 2010 to study at NYU's MFA Program in Creative Writing, from which I graduated in 2012, two months before my book was published. Before moving to the US, I lived in Ireland, Spain, Belgium, France, the USA, and travelled in a variety of countries (including Morocco, Czechoslovakia (when it was that country), Paraguay, Uruguay, Argentina and Norway), whilst engaged in a number of pursuits. Newyorkperistalsis.wordpress.com came about as a catch-all for impressions related to moving to NYC alone: culture shock, in essence, and all her ugly sisters.

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